The conductor Martyn Brabbins and Hyperion have given us the second complete recording of Elgar’s 1898 cantata Caractacus. It’s been more than 25 years since the first recording by Richard Hickox on Chandos (1994). Caractacus is an uneven work but possesses enough moments of raw power and pastoral beauty to make it indispensable to lovers of Elgar.

Brabbins, now sporting a beard (pictured), has long been attentive to English music: his recent recording of A Sea Symphony by Vaughan Williams made an excellent showing in an already strong field. Crucial to that success was the excellence of his soloists, Elizabeth Llewellyn and Marcus Farnsworth. In Brabbins’s Caractacus, however, the performance of the soloists is less uniform.