Julia Hamilton

The Christmas classics worth returning to are those that still take faith seriously

Fifteen years after it first aired, Downton Abbey takes its final bow in a 1930s-set farewell written by Julian Fellowes. Julia Hamilton refuses to be taken in by the sentimental carry-on that marks the end of this beloved upstairs-downstairs franchise.

pinnacle peak pictures, the studio behind the case for christ and god’s not dead , has released a new film well in time for easter: the last...

if you saw the zone of interest last year – the extraordinary film based on a novel by martin amis – about the family life of rudolf höss, t...

george weigel called bishop robert barron’s series catholicism “the most important media project in the history of the catholic church in am...

jonathan glazer’s latest film, the zone of interest, which deservedly won an oscar for the best inter national feature (with another for bes...

last month netflix aired its latest production to do with the british royal family; no, not another series of  the crown , but a drama ...

julia hamilton loves bradley cooper’s take on leonard bernstein. this is not just any old biopic. this is bradley cooper’s stunning take on ...

anyone unfamiliar with her life and work may remain so after ethan hawke’s latest, julia hamilton despairs . in his latest film, wildcat, ab...

christie as a horror movie doesn’t work, says julia hamilton. a haunting in venice is the third in a trilogy of films produced and acted in ...

the film’s events are magnetically clustered around los alamos, finds julia hamilton. if you thought that christopher nolan’s last film, dun...

julia hamilton finds this film set in 1960s ireland baffling and dissatisfying. reconciliation is a tough gig, is the message of the miracle...

julia hamilton finds dial of destiny just a bit dull. to use the word resurrect-ion to describe harrison ford’s appearance after such a long...