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Michael White
Israel-Palestine anxieties bear heavily on productions at Covent Garden and Bath
Enjoying tango and church music
Festive fortunes
Over Christmas, Michael White is unmoved by Verdi’s ‘Nambucco’ and charmed by Berlioz’s ‘L‘Enfance du Christ’
Dark shows for dark times: going toe to toe with Elektra and The Handmaid’s Tale
Benjamin Britten's surprising habit of 'Christianising' non-Christian stories in his operas
Henryk Górecki: A sonic exorcism
A look from afar: thoughts of Advent in Cambridge and further afield
An "outstanding" opera and some "memorable" interpretations of Bach
A surfeit of minor keys this Easter
MacMillan’s Christmas cracker
<I>Michael White</I> reports on the premiere of James MacMillan’s Christmas Oratorio and the annual Britten festival in Suffolk
A smile from Monteverdi
Leaving space for the music
Violet grasps a core truth about opera: that good narratives don’t tell you everything but leave space for the music to fill in, working a magic of its own.
Spirituality, if not religion, in the works of Bach and Britten
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