The new and much-ballyhooed Netflix film The Two Popes should, by rights, be called The One Pope, for it presents a fairly nuanced, textured and sympathetic portrait of Jorge Mario Bergoglio (Pope Francis) and a complete caricature of Joseph Ratzinger (Pope Benedict XVI). This imbalance fatally undermines the movie, whose purpose, it seems, is to show that old, grumpy, legalistic Benedict finds his spiritual bearings through the ministrations of friendly, forward-looking Francis. But such a thematic trajectory ultimately does violence to both figures, and turns what could have been a supremely interesting character study into a predictable and tedious apologia for the film-maker’s preferred version of Catholicism.