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Film
‘American Martyr: The Stanley Rother Story’ a fitting tribute to a heroic priest
American Martyr explores the unlikely journey of an Oklahoma farm boy who became a missionary priest, learned Tz’utujil and ultimately died for the people he had come to love
Christine Rousselle
Matthew McConaughey meets Pope Leo XIV at general audience
During a visit to the Vatican, Matthew McConaughey met Pope Leo XIV and took part in discussions on faith, technology and the future of AI
Christine Rousselle
The spiritual emptiness of ‘Obsession’
Despite its remarkable craftsmanship and compelling premise, ‘Obsession’ mistakes nihilism for profundity, reducing horror to an exercise in despair
David Hahn
Nolan's ‘Odyssey’ gets Homer right
Far from deconstructing Homer’s epic, Christopher Nolan offers a remarkably faithful retelling that presents home, family and divine order as the foundations of civilisation
David Hahn
Disney’s 'Hunchback' is anti-Catholic
Beneath its celebrated music and animation, Disney’s version of 'The Hunchback of Notre Dame' offers a profoundly different moral universe from Victor Hugo’s original
Luke Collins
‘Backrooms’ and the horror of postmodernism
Backrooms offers more than an unsettling horror story. Read through the lens of Christian realism, it becomes an unexpected meditation on truth, meaning and the dangers of postmodernism
David Hahn
“Hitch wants to come home”: Alfred Hitchcock’s final return to faith
New testimony from Jesuit priests and Hitchcock's family suggests that the director's lifelong relationship with the Catholic Church was more enduring than many biographers have claimed
Tony Lee Moral
Neither sinless nor divine
The new Michael Jackson biopic invites reflection on the way public admiration can rapidly turn into collective condemnation, echoing themes familiar from the Passion narrative
Isabel Gibbens
Why you should watch 'The Exorcist'
William Friedkin’s film remains shocking, but beneath the profanity and terror lies a profoundly Catholic vision of evil, sacrifice and grace
Luke Collins
Death in Algiers
François Ozon’s adaptation of Albert Camus’s The Stranger captures the novel’s moral ambiguity while gently widening its perspective
Andrew Cusack
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