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Michael White
God at the Proms: Three powerful performances in this year’s season
Poulenc’s glorious surrealism
Michael White is enchanted by a vibrant double-bill of absurdist opera at Glyndebourne and welcomes Mark Adamo’s Little Women to London
Exaggerated greatness: The Wreckers reviewed
Music on the Moors
Michael White enoys a unique musical experience and reflects on the very different pressures musicians and choristers faced hundreds of years ago
Vermeer: A Catholic painter in Calvinist Delft?
A Passion Project
In Oberammergau, the other week, an entire Bavarian village geared up for the opening of this year’s Passion Play.
Choirs at Christmas
Britten's "Peter Grimes" is a tale for our times
Finding intensity and delight in new and abounding talent
Too much to Handel
The Royal Opera’s flashy production of ‘Theodora’ reduces its Christian context to a minimum, says Michael White
Response to life
A variable set of Summer performances, from Holst to Britten
Celestial assault in a mind-altering performance of Hildegard’s soaring music
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